On Writing (part two)

Write for compliments. Write for critical feedback.

I’m conscious that I have two writing minds. I have the me mind, that one that unlocks occasionally, pulls out of his rut and performs wild feats of imagination. He is me, obviously, but he is also a wider part of my personality that I can only access when I detach from the actual thinking part of me. Like breathing or locking in to a groove, the more you think about it the harder it gets. But when you’re in a flow state and there’s something drawing the really active part of your imagination away from itself, this imperceptible subcutaneous shift occurs and the writing gets effortless. This is the writing that I do for me, from me, to me. It’s occasionally self-critical, but generally wonderfully pragmatic and I disappear in to a voice that sounds like the me in my head. In sounding like me I can talk to myself in a way that’s much more permanent than the self-talk I indulge in mentally. It’s on the digital page after all, and the digital page is forever.

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